- #Marshall blues breaker 1962le hand wired ltd ed version how to
- #Marshall blues breaker 1962le hand wired ltd ed version full
The idea had apparently been in the works for quite some time, as evidenced by this author’s correspondence to a Marshall factory director, Keith Carnall in the late months of 1984. Two decades later, the Marshall reissue would sound nothing like it at all.įor many of us, the year 1990 brought an answer to one of our greatest wishes: the Marshall Model 1962 2×12 combo was finally reissued. Although those early combos had great tone, no two sound exactly the same. Unfortunately, that Model 1962 disappeared, with Clapton himself unsure of what became of it years later, it would become known as the holy grail of combos.
“He wanted one so it would be easy for him to put the whole thing in the boot of his car.” “Eric used to practice in my shop and he was one of the first guitarists to ask me to build a combo,” Marshall recalled. In a 2003 interview with Musician’s Hotline magazine, he claimed the Model 1962 was built at the request of Eric Clapton. Models like the AC30 would provide the “British Invasion” with its unique sound, and convinced Marshall to build a compact amplifier for his new company the initial development of Marshall’s first combo took place in early 1964. But none of this could have happened without the small British amp company, Vox. Clapton’s playing style, combined with a ferocious amplified tone, seemed to inject a new and exciting dimension into the young blues-rock genre. That LP’s impact soon spread to America and abroad, inspiring legions of new guitarists around the world - especially influencing musical rebels in the United States. The blistering tone was captured on vinyl and released to an unwitting public as John Mayall and the Bluesbreakers with Eric Clapton also known as the “Beano” album, it quickly shot to number six on the British charts, even amongst the din of other popular British and American pop groups such as the Beatles, the Animals, the Rolling Stones and the Beach Boys. This image, from the Beano LP, shows Clapton tuning up, with his Model 1962 in the background. At such high volumes, the amp was prone to feeding back, and this provided an awesome effect to the overall sound. The sustain was pure, the treble notes sang and the bass registers exhibited a “throaty” bottom. The sound was full-bodied, authoritative, but not overly distorted it easily cut through the other band instruments.
#Marshall blues breaker 1962le hand wired ltd ed version full
Armed with a 1960 Gibson Les Paul and the Marshall Model 1962 combo amplifier, he single-handedly discovered a combination of guitar and amp that produced an extraordinary howl - Clapton achieved his trademark sound by playing the amplifier at full volume. In 1965, Clapton found himself the featured guitarist in John Mayall and the Bluesbreakers. For instance, Marshall’s Model 1962 combo was, itself, an ordinary amplifier however, one particular Model 1962 used by Eric Clapton with John Mayall and the Bluesbreakers had such a revolutionary tone that it created a new sound in the still-young world of rock n’ roll. Partly attributable to founder Jim Marshall’s penchant for working with budding British musicians and working many of their suggestions into his designs, and partly due to the difficulties of locating reliable parts suppliers, Marshall’s early designs each had their own personality.
#Marshall blues breaker 1962le hand wired ltd ed version how to
With a little ingenuity, John Wiley shows you how to turn your reissue Bluesbreaker combo into the real deal.Ī unique distinction of early Marshall amplifiers is that none of them within the same model line sound exactly alike.
If you want to nail Clapton’s tone, a crucial part of the equation is the amplifier.